Outside Meta’s London office today, authors are protesting what they call theft: the use of their books to train AI without permission. The scene would not have surprised John Perry Barlow, who nearly 30 years ago wrote that digital technology would make traditional copyright law obsolete.
“Intellectual property law cannot be patched, retrofitted, or expanded to contain digitized expression,” warned Barlow in his 1994 essay “The Economy of Ideas.” As bestselling authors wave placards demanding compensation and Meta claims its AI training is “consistent with existing law,” we’re watching his prediction play out once again.
The Man Who Saw It Coming
Before most people had email addresses, Barlow – a Grateful Dead lyricist turned digital visionary – understood that the internet would fundamentally change how we think about ownership. He saw that once creative works became digital patterns rather than physical objects, our traditional ways of protecting and monetizing them would fall apart.
He was right. Today, Meta faces lawsuits for using LibGen, a “shadow library” of over 7.5 million books, to train its AI models. Authors like Ta-Nehisi Coates and Sarah Silverman are suing. Novelist AJ West says it feels like being “mugged.” But Meta argues that training AI on patterns within books is fundamentally different from copying those books.
What Barlow Got Right
Barlow’s key insights read like a prophecy:
- Digital copying would become essentially free and unstoppable
- Traditional copyright law would fail to adapt to new technology
- Tension would grow between information’s desire to flow freely and creators’ need for compensation
He compared trying to protect digital information to “trying to keep water in a handful of sand” – a metaphor that perfectly captures the frustration of authors watching their works absorbed into AI training sets.
The Core Problem Remains Unsolved
The Meta controversy highlights the central dilemma Barlow identified: In a digital world, how do we fairly compensate creators while acknowledging that information naturally wants to spread?
When novelist Kate Mosse joins protesters demanding payment for AI training use, she’s fighting the same battle Barlow described – trying to maintain traditional property rights in an age where creative works have become “patterns of ones and zeros” flowing through the digital world.
A Way Forward?
Barlow didn’t just predict problems – he suggested solutions. He envisioned new economic models where value would come from:
- Real-time performance and experience
- Being first to market with ideas
- Service and support around creative works
- Direct relationships between creators and audiences
Some of these models have emerged, like how musicians now earn more from concerts than recordings, but we haven’t found similar alternatives for authors and other creators whose works train AI systems.
The Future We Need to Build
The current standoff between Meta and authors shows we’re still caught between old and new worlds. Neither traditional copyright enforcement nor unrestricted AI training serves everyone’s interests.
Barlow might suggest that the solution lies not in choosing sides, but in developing new models that:
- Recognize AI training as a legitimate use of creative works
- Provide fair compensation to creators
- Build sustainable creative ecosystems for the digital age
Three decades ago, Barlow wrote that the digital revolution would force us to completely rethink how we value and protect creative work. Today’s AI copyright battles are just the latest development to prove he was right. The question is: Have we come up with any better solutions in the intervening 30 years?